affects one like an oppressive dream the reentrance of the opening D ♭ major, which dispels the dreadful nightmare, comes upon one with the smiling freshness of dear, familiar nature – only after these horrors of the imagination can its serene beauty be fully appreciated. Frederick Niecks says, "This C ♯ minor portion. The repeating A ♭/G ♯, which has been heard throughout the first section, here becomes more insistent.įollowing this, the prelude ends with a repetition of the original theme. Download and print in PDF or MIDI free sheet music for Preludes, Op.28 by Frédéric Chopin arranged by ClassicMan for Piano (Solo) Prélude Opus 28 No. It then changes to a "lugubrious interlude" in C ♯ minor, "with the dominant pedal never ceasing, a basso ostinato". The prelude opens with a "serene" theme in D ♭. Frederick Niecks says that in the middle section of the prelude there "rises before one's mind the cloistered court of the monastery of Valldemossa, and a procession of monks chanting lugubrious prayers, and carrying in the dark hours of night their departed brother to his last resting-place." Description Measures 1–4 of Chopin's Prelude in D ♭ Major, Op. However, Peter Dayan points out that Sand accepted Chopin's protests that the prelude was not an imitation of the sound of raindrops, but a translation of nature's harmonies within Chopin's "génie". 15, because of the repeating A ♭, with its suggestion of the "gentle patter" of rain. Sand did not say which prelude Chopin played for her on that occasion, but most music critics assume it to be no. His genius was filled with the mysterious sounds of nature, but transformed into sublime equivalents in musical thought, and not through slavish imitation of the actual external sounds. He protested with all his might – and he was right to – against the childishness of such aural imitations. He was even angry that I should interpret this in terms of imitative sounds. Heavy drops of icy water fell in a regular rhythm on his breast, and when I made him listen to the sound of the drops of water indeed falling in rhythm on the roof, he denied having heard it. In her Histoire de ma vie, or "Story of My Life", Sand related how one evening she and her son Maurice, returning from Palma in a terrible rainstorm, found a distraught Chopin who exclaimed, "Ah! I knew well that you were dead." While playing his piano he had a dream: Some, though not all, of Op. 28 was written during Chopin and George Sand's stay at a monastery in Valldemossa, Mallorca in 1838. The prelude is noted for its repeating A ♭, which appears throughout the piece and sounds like raindrops to many listeners. Usually lasting between five and seven minutes, this is the longest of the preludes. 15, by Frédéric Chopin, known as the "Raindrop" prelude, is one of the 24 Chopin preludes. About Press Copyright Contact us Creators Advertise Developers Terms Privacy Policy & Safety How YouTube works Test new features Press Copyright Contact us Creators.
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